Reviewer Cred

I’ve made somewhat of a surprisingly realization recently. I don’t need to pay for books anymore. It turns out that if I ask, publishers will pretty much give me what I want for free. I found this out a few months ago when the publicist for a book I was looking forward to passed over all the outlets I normally review for. I decided to take a shot at simply contacting the publicist and asking if I could have a review copy, providing links to a couple recent books I’d reviewed for that publisher, and basically saying I could publish the review wherever they wanted.

I wasn’t sure I had the reviewer cred to pull it off, but the book arrived shortly and, emboldened by my success, I went down my Amazon wish list and started grabbing publisher imprints and sending e-mails. So far no one’s turned me down. In some cases there was no e-mail response, but the book and press kit still arrived promptly. I’ll still buy books — I read as much stuff from decades or centuries ago as recent releases, and that’s what used bookstores are for, after all — but for those brand new titles that still have publicists working them, I’ll hit them up for a copy.

***

Although my first foray into writing for an audience was in my student days, for my university newspaper, I’ve been reviewing books for various online magazines nearly as long as I’ve been writing news articles. And I still enjoy getting advanced reading copies of work I’ve been looking forward to. I thought it was a pretty sweet deal as a student still in my teens, and it still seems like a good deal to me today.

I know that technically I could save the two hours I typically spend on a review for paid writing work instead, and then buy the books I want with money left over, but you have to break it up. Some of my paying gigs are of a technical and very constrained nature, utilizing my scientific background and following very specific style guidelines, and it can get tedious. I need to always remember that I enjoy writing, and a good way to do that is to write things that I want to write, not just what I’m being paid to write. This blog should also ideally fall into that category.

And there is a balance. I prefer a certain degree of scheduling tension, which forces me to do this “for the love” writing within a reasonable time-frame, and on a regular basis, and that’s why I commit to a schedule for my unpaid writing just as I do with my paid writing. Agreeing to review something is a perfect example of writing for the joy of it, but still being committed to a reasonable turnaround time. Of course, there is a little more leeway in my schedule than with my paid work.

Science Fiction to the Rescue in WWII

I reviewed the new Heinlein biography recently, which I quite enjoyed. It’s the first of a planned two-volume project, so I am also eagerly anticipating the second, particularly since by the end of part one, only Heinlein’s first couple of books had been mentioned (along with a few notable shorts).

This volume was surprisingly interesting given that the majority of it covered Heinlein’s life prior to his full-time writing career. After all, the reason anyone would want to read a bio of a famous author is because they’re interested in his work, but it turns out he was also an interesting man before he became an interesting author. Of course, he also lived in interesting times, and having now read several histories and biographies taking place in the first half of the twentieth century, I find I just can’t get enough of it. So much happened in the century of my birth.

One rather surprising tidbit came after the Pearl Harbor attack which precipitated US entry into World War Two. Heinlein, though he had been forced to give up his first career as a naval officer due to pulmonary tuberculosis, tried absolutely everything to get enlisted again for the war. It seems the Japanese attack had an incredible galvanizing effect on US citizenry such that patriotic, able-bodied men (and women) were volunteering left and right, to the point that officers in charge of enlistment couldn’t keep up.

Though still medically unfit to serve, Heinlein was able to use a former officer contact to get in as a civilian engineer at the Philadelphia Navy Yard. His navy contact also requested that Heinlein, working with pulp giant, editor John W. Campbell, try to recruit — no joke — more science fiction writers to come do war work. In fact, in those early days of the new genre of science fiction, many of the writers did indeed have scientific or engineering training. Heinlein ended up bringing in a young Isaac Asimov (a recently minted chemistry PhD), and L. Sprague de Camp to work in the same research facility out of the yard as he.

Heinlein also ended up doing some minor engineering work that, unbeknownst to him, was related to the still top-secret development of radar technology. Across the pond, English SF giant, Arthur C. Clarke, was also working more directly on radar applications.

Pretty cool. When the world was in jeopardy, the allies called on their best genre writers to save the day. SF enthusiasts often claim their favourite authors can see into the future. When the Allies needed help, however, these writers were brought in to help create the future. Along with the bomb, radar was the top-secret, brand-new Allied technology of WWII. Future Nobel-winning scientists gave their best for the war effort, alongside future Hugo-winning sci-fi writers. Who’d have thought?

The Freelance Life

I started this site — which is now, and likely will continue to be, primarily a blog — because I’ve recently started writing full time, and I thought I could justify grabbing my own little piece of the Web. I foresee this as a focus of organization for myself, more to help me keep track of my ongoing projects than to promote them, or myself. It seems like I’ve been writing articles and essays and, yes, blog entries, in my head for some time now, and I need a place to get it down.

I’m sure the blog will develop its own focus over time. One of the things I hope to do is share some of the nitty gritty details that have taken me from part-time writing to being able to take a year off from my day job and being able to pay the bills with words. The full-time writing experience, for however long it lasts, is also something I’d like to get down for posterity. And of course, I’m always looking for work, so any readers out there are invited to contact me for my services.

We’ll leave it at that for now. See you soon.